A Fabulous Furry Fable! (Encouragement for Creators)

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Here’s the tale of a talented natural scientist, conservationist and wildlife artist, who wrote and illustrated a whimsical little book which no publisher wanted.

Helen Potter was born in 1866, into a prosperous Unitarian family. As a child, Helen and her younger brother Walter played with a menagerie of small animals that included rabbits, squirrels and other wildlife. The two frequently studied the shapes and habits of their furry friends, and soon began to sketch them. This marked the beginning of Helen’s love of nature and the countryside, and it later shaped both her education and her avocation.

Helen privately studied languages, literature, and history with her governess, but natural science became her passion. She spent hours illustrating insects, mushrooms, and fossils she found. She eventually graduated to painting a variety of animals, both real and imagined, in watercolors. During her early twenties, Helen realized she could earn money by printing and selling greeting cards featuring her artwork, so she produced a series of color Christmas cards adorned with her illustrations of mice and rabbits. A year or two later, she realized she could illustrate children’s books.

In September 1893, while vacationing in Scotland, Helen wrote a letter to one of the children of her former governess, a young boy named Noel, who’d been ill. When she ran out of things to tell Noel, she started telling him a story about four little rabbits and their adventures. Helen liked her impromptu story, and in 1900, she decided to revise the tale and try to place it with a publisher. She had definite ideas regarding the size of the book, as well as how the text and illustrations should be laid out; so she created a little homemade booklet of the story, complete with her watercolors of cute rabbits, to promote her ideas to potential publishers.

Helen approached every book company she could think of — including the firm of Frederick Warne. They all said NO! Warne and Company was more eloquent, though: we don’t want your “bunny book”! Following a year of rejections, Helen decided to publish her little book herself, in a very limited black and white edition which she distributed among her friends and family, who in turn shared the book with a few of their own friends. Eventually, an old friend of Helen’s family saw the book, and asked if he might try to find a publisher.

He made the rounds of all the major publishing houses, encountered the same disinterest, and ended up back at Frederick Warne & Company, where L. Leslie Brooke, a prominent children’s book artist who worked for Warne, saw Helen’s self-published book and recommended it to his employers. After months of stalling, Warne finally, and perhaps even grudgingly, agreed to publish the book — in color and according to Helen’s specifications — but only in a small print run. So, on October 2, 1902, nearly a decade after she’d conceived an entirely new type of fable, one featuring anthropomorphic animals who still retained the appearance and characteristics of real animals, Helen’s children’s book, The Tale of Peter Rabbit, was finally published.

Helen Beatrix Potter’s little book was an immediate success, and quickly went through five additional printings to meet the demand for what ultimately became the first in a series of 23 fabulous furry fables. Our personal favorites are The Tale of Squirrel Nutkin and The Tailor of Gloucester.

More than a century later, the entire series is still in print, still popular, and Frederick Warne is still the publisher of these very profitable books. And The Tale of Peter Rabbit recently provided the inspiration for a hit movie. Not bad for a “bunny book” and it’s sequels!

“Behold, I am doing a new thing…. I will make a way in the wilderness and rivers in the desert.” (Isaiah 43:19 ESV)

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A Little Teamwork Can Be a Lifesaver (Encouragement for Creators)

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The cool thing about creators is that we find them in a variety of occupations. Creators aren’t just writers, artists, actors and filmmakers. Chefs create and cook new culinary masterpieces. Crafters design and assemble unique works of art. Inventors and entrepreneurs create new devices, processes and services, and then find new ways of marketing these. In fact, there are as many types and examples of inspired creativity as there are facets on a diamond — or flavors in a pack of Life Savers.

Clarence Crane created the first Life Savers candy in 1912. Not much is known about the Cleveland, Ohio, candy maker, except that he was the father of yet another creator, the famed American Poet Hart Crane. We do know, however, that Clarence Crane invented Life Savers as a “summer candy” that would resist melting. His circular mints were molded to resemble the flotation devices used at beach resorts. Crane didn’t own machinery needed to mold his “Pep-O-Mint Life Savers,” so he contracted a pill manufacturer to press the mints into shape.

In 1913, Crane transferred his “diamond” to Edward Noble, a New Yorker who would further “polish the gem.” Noble bought Crane’s Life Savers formula for $2,900. Noble started a company that had the capability to mix and mold the candies. He also devised a better way to package Life Savers to prevent the candies from going stale. His company hand-wrapped rolls of Life Savers in foil and then affixed paper labels. The process proved to be labor intensive, but in 1919 Noble’s brother Robert, an engineer, developed machinery that completely automated the wrapping process.

A year later, Robert Noble continued to be a creative force in the company. He expanded on his younger brother’s entrepreneurial vision by first introducing newspaper ads and then expanding the company by building larger, more streamlined manufacturing facilities. He also began introducing a spectrum of colorful new flavors.

In 1921 the Nobles created fruit-flavored Life Savers, which were translucent, almost crystalline in appearance. In 1925, the company further improved its manufacturing process and devised a method of actually putting a hole in the center of the candies. The original chalk-white mints were simply molded to resemble lifesaver flotation rings. The new Life Savers were introduced as the “fruit drop with the hole”!

The Nobles continued to promote their candy by creating special box displays that allowed LifeSavers to be positioned next to the cash registers in cigar stores, drug stores, barber shops, and restaurants. They held the price at 5 cents  for years, encouraging shoppers to trade that nickel in their change for a roll of Life Savers. To say the candies were popular is an understatement: during the Second World War, the little Life Savers were a heat-resistant favorite candy among the Armed Forces, and a sweet reminder of life at home. And to make sure there were enough Life Savers to go around, competing candy companies willingly donated their own sugar rations to meet the production demands of the Nobles’ company! That’s teamwork!

Great ideas and savvy innovation are simply facets of the “creative diamond”! One creator may unearth a “gem”; another cuts it; another polishes it. You can be creative, either by inventing, creating, innovating or facilitating. “It’s not important who does the planting, or who does the watering. What’s important is that God makes the seed grow. The one who plants and the one who waters work together with the same purpose. And both will be rewarded for their own hard work.” (1 Corinthians 3:7-8 NLT)

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